Supacut Blog

Story producing is the discipline of finding a story inside raw material. Here is how to identify themes, conflict, and character arcs in interview footage before the edit begins.

The first cut is the most important cut. Here is a step-by-step walkthrough of how to build one from interview footage inside Premiere Pro.

Documentary post-production follows a structured pipeline. Understanding each phase — from transcript review to final delivery — is how documentary editors maintain control over complex, interview-heavy projects.

AI is not replacing editors — it is eliminating the part of the job that was never really editing. Here is how AI story editors are changing the interview-based production workflow.

Story producers are handing editors AI-generated paper edits full of quotes that don't exist. Here's why language generation is the wrong tool for editorial workflows — and what a better approach looks like.

Text-Based Editing changed how editors navigate interviews — but it was never designed to build stories. Here's what happens when ripple deletes, multicam dependencies, and structural revisions expose its limits.

Interview editing starts with story discovery, not timeline cuts. Here is the professional 10-step workflow for moving from raw footage to a compelling narrative.

Professional editors don't start with the timeline. They read the transcript. Here is the step-by-step transcript editing workflow that leads to faster, stronger first cuts.

AutoEdit automates repetitive timeline tasks — silence removal, filler words, multicam sync. But if your bottleneck is finding the story inside hours of interviews, a different kind of AI tool solves the earlier problem.

Professional interview editing isn't about trimming the bad parts. It's about finding the story before you touch the timeline. Here's the complete editorial workflow — from footage review through final cut.

Professional documentary editors build the story before they build the timeline. Here is the complete transcript-first workflow — from reading raw interviews through assembling a structured first cut.

Text-based video editing turns spoken dialogue into searchable text, letting editors navigate, review, and structure stories before touching the timeline. Here's how it works and when to use it.

Most editors open Premiere and start trimming. Professional documentary editors build the story first. Here is the complete workflow — from organizing footage through transcript review, story assembly, and final cut.

AI is changing Premiere Pro — but not by replacing editors. Here is a complete guide to which AI tools actually work inside professional workflows, where they fall short, and how to use them to spend more time on storytelling.

The complete documentary editing workflow used by professional editors—from transcripts and paper edits to narrative arcs, rough cuts, and final delivery.

Learn not only how to transcribe video in Premiere Pro, but how professional editors use transcripts to organize interviews, discover stronger narratives, and build rough cuts more efficiently.

Understand why Premiere Pro transcription fails, how to fix the most common errors, and how to build a workflow that prevents problems before they occur.

Becoming a faster editor isn't primarily about clicking faster—it's about making fewer unnecessary decisions. These 25 Premiere Pro tips cover the workflow habits professional editors use every day.

The right AI editing tool depends entirely on the problem you're trying to solve. Instead of ranking by popularity, this guide compares AI tools by the bottlenecks they remove.

The strongest interview edits are rarely discovered in the timeline. Professional editors read transcripts, build paper edits, and identify story structure before a single clip moves.

A paper edit isn't a document—it's the thinking that happens before the timeline. Professional documentary editors use paper edits to discover story structure before a single clip moves.

Story discovery is how documentary editors find the narrative hidden inside hours of interviews—before a paper edit exists, before the timeline opens, and before any clip moves.

Most editors struggle not because they edit slowly, but because they start editing too early. The transcript-first workflow separates story discovery from story construction so every timeline decision is backed by real understanding.

Professional editors never do structural editing and fine cutting at the same time. One determines what the story is. The other determines how the story feels. Confusing the two is how rough cuts spiral into endless revisions.

Most first cuts fail not because the editing is bad, but because they were asked to answer too many questions at once. Professional editors separate story discovery from the first cut—so the timeline becomes a place to validate the story, not search for it.